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Fri | September 05, 2025
Gate 52 & The Rialto Theatre Present
Jean Dawson - The Miracle Mile Tour @ 191 Toole
w/ TBA
Doors: 7:00 pm / Show: 8:00 pm
191 Toole
All Ages
$26-$31
Buy Tickets

Doors 7PM | Show 8PM | GA Standing | All Ages - 6 & Over | Public On Sale - 4/4 10AM

   
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ALL SALES ARE FINAL.
The Rialto Theatre does not grant refunds or exchanges for currently scheduled shows.
The Rialto Theatre Foundation has a clear bag policy in place at Rialto Theatre and 191 Toole. The policy limits the size and type of bags that may be brought into our venues. The following is a list of bags that will be accepted for entry: Bags that are clear plastic or vinyl and do not exceed 12in x 6in x 12in One-gallon clear plastic freezer bags (Ziploc bag or similar) Small clutch bags, approximately 5in x 7in All bags subject to search. Clear bags are available for sale at the box office.

Artists

Jean Dawson

Jean Dawson is a genre-defying artist, singer, and songwriter celebrated for his innovative fusion of hip-hop, punk, and experimental pop. Born in Tijuana, Mexico, and raised in San Diego, California, Dawson's multicultural upbringing deeply influences his eclectic musical style, blending raw energy with introspective storytelling.
Dawson first garnered attention with his 2019 project Bad Sports, which highlighted his unconventional sound and DIY ethos. His 2020 debut album, Pixel Bath, further established his unique position in the alternative music scene, seamlessly integrating distorted guitars, electronic elements, and hip-hop beats. In 2022, he released CHAOS NOW, pushing creative boundaries with high-energy, genre-blending tracks that explored themes of self-discovery and rebellion.
In October 2024, Dawson unveiled his fourth studio album, Glimmer of God. This project showcases his continued evolution as an artist, offering a kaleidoscopic blend of electronic music and alternative rock. The album features collaborations with artists like Lil Yachty on the lead single "Die for Me" . Critics have praised Glimmer of God for its innovative sound and cohesive artistry. Clash Magazine described it as "a virtuosic display of chaotically brilliant songwriting innovation" , while Our Generation Music highlighted it as "the epitome of Dawson’s all-encompassing musical arsenal" .

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