Sharon Jones and the Dap-Kings have come a long way since their humble beginnings nearly a decade ago. Steeped within the gilded and gritty sounds of gospel, soul and funk, this nine-piece Brooklyn collective has continued to electrify fans, disc jockeys, critics, record collectors, and bloggers the world-over with their authentic, heart-felt sound. The authenticity clearly demonstrated on the band's three critically-acclaimed albums – Dap Dippin' (2002), Naturally (2005) and 100 Days, 100 Nights (2007) – captured and released by the independent Daptone Records. Their albums recall an analog era led by iconic studios like those at Motown and Stax Records, and have thrust the fifty-three-year-old Augusta, GA native and crew into the multimedia limelight.
Sharon Jones and the Dap-Kings have appeared on CNN, Good Morning New York, MTV News, VH1, Conan O'Brien, Craig Ferguson, David Letterman, Jimmy Fallon, BBC Television, NPR radio shows like Morning Edition and Fresh Air with Terry Gross, and have been covered in a slew of publications, from personal blogposts all the way to feature stories in the New York Times Sunday Magazine, Newsweek, the Associated Press, Interview, the Village Voice, and Entertainment Weekly.
As distinguished as their recordings may be, however, Sharon Jones and the Dap-Kings have truly become renowned thanks to their incredible live show, not to mention their relentless touring. And though it's certainly no easy task to keep such a vast ensemble on the road, the band continues to pack hundreds of clubs worldwide, from legendary venues like New York's Apollo Theater, Beacon Theater and Central Park's SummerStage to their show-stopping sets at Coachella, Lollapalooza, Roskilde, Bonnaroo, Austin City Limits and WOMAD.
In addition, Sharon has hit the studio and stage with the likes of David Byrne (including in his upcoming Here Lies Love), They Might Be Giants, Rufus Wainwright, Lou Reed and Michael Bublé. Not to be outdone, the Dap-Kings' musical chops have also been in high-demand. Legendary soul icon Al Green tapped their services for his Grammy-winning Blue Note release, Lay It Down; Public Enemy beatmaster/producer Hank Shocklee made use of them for the soundtrack for the feature film, American Gangster; and Mark Ronson utilized them for much of Amy Winehouse's GRAMMY-winning Back to Black.
This show is general admission w/ festival seating: A few rows of seats are available in the rear of the theatre, but not enough to accommodate all tickets sold. These are available on a first come, first serve basis.
$25 general admission advance
$27 general admission day of show
* prices may be subject to service fees